당신은 주제를 찾고 있습니까 “jean chung photographer – Jean \u0026 Shem Visit Vietnam! (PART 1)“? 다음 카테고리의 웹사이트 https://ppa.pilgrimjournalist.com 에서 귀하의 모든 질문에 답변해 드립니다: https://ppa.pilgrimjournalist.com/blog/. 바로 아래에서 답을 찾을 수 있습니다. 작성자 Jean Chung 이(가) 작성한 기사에는 조회수 260회 및 좋아요 11개 개의 좋아요가 있습니다.
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We love to play Capoeira everywhere! Why not in Vietnam?
Join us on our random adventures, doing what we love, wherever we can.
jean chung photographer 주제에 대한 자세한 내용은 여기를 참조하세요.
Jean Chung (@jeanalina) • Instagram photos and videos
2881 Followers, 2138 Following, 854 Posts – See Instagram photos and veos from Jean Chung (@jeanalina)
Source: www.instagram.com
Date Published: 11/7/2022
View: 6117
Jean Chung | World Press Photo
She is currently a contract photographer for Getty Images based in Seoul, South Korea. Apart from that, she is working for international media such as the New …
Source: www.worldpressphoto.org
Date Published: 1/9/2022
View: 52
Jean Chung – Co-Founder/Creative Director – JEM – LinkedIn
View Jean Chung’s profile on LinkedIn, the world’s largest professional community. … Shared by Jean Chung … Director/VIdeographer/Photographer. Ukraine …
Source: www.linkedin.com
Date Published: 3/14/2022
View: 7769
주제와 관련된 이미지 jean chung photographer
주제와 관련된 더 많은 사진을 참조하십시오 Jean \u0026 Shem Visit Vietnam! (PART 1). 댓글에서 더 많은 관련 이미지를 보거나 필요한 경우 더 많은 관련 기사를 볼 수 있습니다.
주제에 대한 기사 평가 jean chung photographer
- Author: Jean Chung
- Views: 조회수 260회
- Likes: 좋아요 11개
- Date Published: 2018. 9. 13.
- Video Url link: https://www.youtube.com/watch?v=GGsk7xyxYe0
Portrait of a photographer: Jean Chung’s life on the road
This is part of our photographer profile series. You can read the other entries here.
“Maybe this is a story of failures,” Jean Chung said, laughing.
Chung was rejected from Yale University’s photography program; she didn’t land a job with the Los Angeles Times after interning with them; she was booted from Afghanistan a year into an indefinite stay because of visa issues.
After spending more than a decade working in Africa, mostly on women’s issues, Chung is currently grounded in her home country of South Korea because of Covid. Her days are mostly spent weaving handmade bags out of African fabrics and filming her mother, a professional opera singer, for her YouTube channel.
Yet despite the roadblocks, Chung has achieved success after success. She has won major photography awards and worked for outlets including the New York Times and the Wall Street Journal. Her zigzagging path is indicative of her strengths as a photographer. Often, when she is in unknown terrain with a fixer, they’ll ask her what to do next. “We’ll let the situation decide and see what happens,” she’ll say back. “And then things happen, and then I just go with the flow.”
Photographer Jean Chung. Courtesy of Jean Chung
That’s exactly how her career as a photojournalist started. Growing up in South Korea, Chung studied traditional Korean painting — her mom wanted her to pursue a creative career but said that opera took too much training. Chung happened to take a photography class her junior year. She received more encouragement from the professor than she ever did with painting. She had family in New York and decided to enroll in NYU’s Tisch School of the Arts for photography.
At Tisch, Chung took classes such as studio lighting and documentary photography. She was drawn to the latter. She liked that, for the first time in her artistic career, she didn’t have to create anything from scratch. She could be an observer. She decided to apply for editorial roles, which, she figured, offered the closest approximation to documentafry photography. She interviewed with publications like TV Guide and Interview but ended up getting a job with the Korea Times, one of the largest English-language newspapers in South Korea.
Fate struck again. Chung thought she would mostly be working as a photographer, but the staff was small and in need of reporters. She ended up writing more stories than she shot. This was the pre-digital era: Chung worked at the paper from 1995 until 2001. Most stories didn’t even run with more than one photo. For a period, she had to develop her own black-and-white film in a small darkroom, before the paper decided to pay for color processing at a lab.
From the Rest of World story “ Step into my (home) office .” Jean Chung for Rest of World
From the Rest of World story “Tune in, drop out.” Jean Chung for Rest of World
At the time, Chung was still getting her grounding as a recent immigrant. She was in her 20s and gravitated toward the “1.5 generation” of Korean-Americans — people who were born in Korea but moved to the United States when they were young. Oftentimes, because of language and cultural barriers, there was a large generational gap between them and their parents. Chung’s stories focused on these communities. She hoped her reporting would help bridge that gap.
After six years at the paper, school beckoned. Chung faced a diverging path, with more conceptual documentary work down one branch and photojournalism down the other. When she was rejected from Yale, the decision was made for her. She went to the University of Missouri.
Although Chung had focused mainly on Korean stories, that changed early on at Mizzou. She was in graduate school on 9/11. It immediately changed her view of the world. She sought to understand the anger that drove people to such violence and the factors underlying the conflict between the Western and Islamic worlds.
More than anything, it made her consider hegemony. South Korea had been a Japanese colony before and during World War II. “My identity as a person is an Asian woman from a really weak country,” Chung said. Her position on “the victim side rather than the superpowers’” gave her a different perspective than most photojournalists.
After school, Chung decided to move back to South Korea. She was in her mid-30s at that point and didn’t want to follow the traditional U.S. path of working her way up from small newspapers to larger ones. For its part, South Korea came with its own advantages — she could live for free with her parents, and she could use it as a launchpad for travel.
“I began thinking about what happens to women in war situations, and why women become victims when most wars are waged by men.”
Although her stint in Afghanistan was short-lived — the South Korean government withdrew all citizens following a Taliban kidnapping — Chung began to journey across the Middle East and Africa, capturing the region as a freelance photographer. From her own vantage as an underdog, a woman from a “weak” country, she sought to find stories that spoke to this standpoint.
One recurring subject in her work is violence against women. Korea had a history of sexual slavery during World War II, and Chung saw parallels across conflict zones where she traveled. “I began thinking about what happens to women in war situations,” she said, “and why women become victims when most wars are waged by men.” She takes striking portraits, with stark contrast and shadow. The photos are harrowing, pleading, and yet also often mundane, documenting the everyday lives and shared struggles of women across different regions.
You would expect Chung, as both a trained artist and a veteran photojournalist, to bring backgrounds into her work. At first, she resisted doing so, maintaining that art and journalism were separate media. After she thought about it, though, she realized that the two disciplines had become instinctually intertwined for her.
Eve, a 49-year-old widowed survivor of violence, living in Ben-zvi camp along with her six children. Jean Chung
Elizabeth Ngobi, 35, center, stands while holding a neighbor’s baby along with other Nuer survivors of sexual violence in Bidibidi refugee settlement in Uganda. Jean Chung
Her job is to tell a story in a single frame, which requires intricate composition and visual tinkering. On a photojournalism assignment, her background in art plays an important role in her careful approach — just subconsciously. “I don’t think I calculate it at all,” she told Rest of World. “Things really come out naturally.”
What did not come naturally was working in her home country. She had never really operated as a photojournalist in South Korea. After her years on the road, Covid forced Chung to go back. The transition has been difficult. For one, in Chung’s estimation, South Korea has much worse light than Africa — it’s either gray or artificial.
She has been taking assignments, mostly, with Western outlets. She’s happy that publications are telling stories in South Korea that don’t have to do with North Korea. Still, it’s hard for her to find inspiration for her own projects. She “was feeling really depressed,” she said, and needed a creative outlet — hence the handmade bags and her mom’s YouTube channel.
Chung has a matter-of-fact way of speaking, dropping blunt statements with a small chuckle. “I’m still depressed,” she told Rest of World. She wants to be back in Africa continuing her projects, but has no idea when that day may come — it could be years.
For now, she’s serving as a producer for her mother, who is apparently quite demanding. “Overworked, underpaid,” she joked. They have to shoot her videos early in the morning outside in parks, when the light is best.
“I don’t know what trajectory my life is going to take, kind of like all the other things that happened in my life,” Chung told Rest of World. “So I just have to wait.”
Jean Chung
Jean Chung is an award-winning photojournalist from South Korea who gained international recognition for her photographic documentations in Afghanistan and Africa. She is a Grand Prix winner of prestigious CARE Humanitaire Reportage in 2007 and the inaugural Pierre & Alexandra Boulat Award in Perpignan, France in 2008; first prize winner of Days Japan Photojournalism Awards and WHO’s Stop Tuberculosis Partnership Award in 2008; second prize winner of Days Japan Photojournalism Awards in 2010; and the Special Jury’s Award of Days Japan in 2011.
Since starting as a full-time freelance photojournalist in 2004, she has been covering an array of news from general news to feature stories that deal with social issues and human conditions in various parts of the world. Most notably, her work on maternal morality in Afghanistan and victims of sexual violence in the Democratic Republic of the Congo have gained international recognition. She hopes to bring awareness to the public with these issues, and tries to deliver the voices of the oppressed citizens of the world in her own visual language.
She is the author of three essays all published in South Korea respectively: “A Photographer in Kabul (2008),” the reportage on DR Congo’s sexual violence, “Tears in the Congo (2008),” and the reportage on Brazil, Congo, Middle East, “Struggling for Hope (2010).”
She was named as an ambassador against MDR-TB (Multi-drug resistant Tuberculosis) on World Tuberculosis Day in Seoul, South Korea, on March 2010, and as one of 15 Asian Women Photographers at Angkor Photo Festival in November 2010. In 2017, she was selected in the Ambassador Program by Canon UK.
Based in Seoul, South Korea, she is a contract photographer for Rest of World, and is working with The New York Times, Bloomberg, Wall Street Journal, Washington Post, Getty Images, and other international media and NGOs.
World Press Photo
Jean Chung
She has won numerous awards such as the Grand Prix of CARE Humanitaire Reportage (2007), the Pierre & Alexandra Boulat Award (2008) at Visa pour l’Image in Perpignan; first place of 4th Days Japan Photojournalism Awards and WHO’s Stop Tuberculosis Partnership Award (2008), and 6th and 7th Days Japan Photojournalism Awards (2010 and 2011).
She is currently a contract photographer for Getty Images based in Seoul, South Korea. Apart from that, she is working for international media such as the New York Times, Bloomberg, Stern, Der Spiegel, M -Le magazine du Monde, and Time.com, among others.
Designers Party : Brides : Jean Chung
The Bride Series, stretches the traditional ways brides are defined. The Asian brides I photographed are not the typical, submissive, male-relying brides that may first come to mind to a lot of people when they think of Asian brides. Other brides I photographed transcend the meaning of the gender of groom and bride. The women in my photographs are the participants in a mass marriage ceremony by the Unification Church; the bride-wanna-bes at Korean sticker photo stores; a 78 year-old bride on her 60th wedding anniversary in Queens, NY; drag queens, and another mass marriage ceremony of same-sex brides. – Jean Chung
Korean photographer Jean Chung has won one of the six grand prizes at the International Photojournalism Festival of Perpignan in France. The 36-year-old freelance photographer has been touring famine and conflict sites around the world.
Chung has been visiting troubled areas around the world, including the Afghan interior and tsunami ravaged Thailand. An art student in her earlier days, she graduated from Seoul National University’s Oriental Painting College of Arts in 1993.
키워드에 대한 정보 jean chung photographer
다음은 Bing에서 jean chung photographer 주제에 대한 검색 결과입니다. 필요한 경우 더 읽을 수 있습니다.
이 기사는 인터넷의 다양한 출처에서 편집되었습니다. 이 기사가 유용했기를 바랍니다. 이 기사가 유용하다고 생각되면 공유하십시오. 매우 감사합니다!
사람들이 주제에 대해 자주 검색하는 키워드 Jean \u0026 Shem Visit Vietnam! (PART 1)
- capoeira
- martialarts
- vlog
- travelvlog
- couple
- travelcouple
- vietnam
- halongbay
- haiphong
- capoeirista
- capoeiristas
- hiking
- adventure
- letsgetflexy
- capoeiralife
- truelove
- travels
- Actress
- train
Jean #\u0026 #Shem #Visit #Vietnam! #(PART #1)
YouTube에서 jean chung photographer 주제의 다른 동영상 보기
주제에 대한 기사를 시청해 주셔서 감사합니다 Jean \u0026 Shem Visit Vietnam! (PART 1) | jean chung photographer, 이 기사가 유용하다고 생각되면 공유하십시오, 매우 감사합니다.
